Not only, by especially for, the ladies.
May 8, 2006
This was the second(last?) Mono Puff album, which was a side project by They Might Be Giants' John Flansburgh. The other members of Mono Puff this time around are Hal Cragin, Steve Calhoon, DJ***** (Spicy), Joe McGinty and Sister Puff. Many of the songs here would not sound out of place on a They Might Be Giants album, if they had slightly different arrangements. In many ways, Mono Puff sounds like a slightly "funkier" version of They Might Be Giants (with no John Linnell songs). This is a fun album that should appeal to most They Might Be Giants fans.
It's fun to be Mono Puff
(4 of 4 Found this Helpful)
March 19, 2004
A long time ago, a friend told me that It's Fun To Steal was not any good at all. He let me borrow Unsupervised, which I thought was decent, even though it sounded like They Might Be Giants-lite. But he warned me that there was only one good track on this CD and the rest was just plain bad. So I believed him. Turns out he was wrong, dead wrong.
It's Fun To Steal finds John Flansburgh's creation coming into full bloom. Before, Mono Puff would be considered a side-solo project to pass the time. But with this album, I really think it's fun music that is here to stay.
The great thing about this album is that while John F. doesn't take himself too seriously, the music does not suffer from the goofiness. Songs like Extra Kispy and Creepy are examples of tunes that required some effort on the band's part, but make for a fun listen all the same.
Describing this album is tricky since it falls somewhere between 1970s kitch and They Might Be Giants. But it is an enjoyable listen throughout. I hope Flansburgh finds the time to make another Mono Puff album. And when he does, I hope he picks up where he left off, because It's Fun To Steal is fun to listen to.
Flansy raises his glass in a toast to the '70s...
(3 of 3 Found this Helpful)
June 26, 2003
At least, that's how I interpret the decidedly provocative cover image. Pale and pudgy, bespectacled and baby-faced, They Might Be Giants' versatile singer-guitarist John Flansburgh doesn't fit anyone's typical "rock star" image; yet that cover seems a cute parody of 1970s rock-idol decadence (what's with those two unlit cigars, anyway?), and the music within is basically a tribute to popular musical styles of the '70s. It's Fun To Steal (1998), the second CD by Flansy's side band Mono Puff (which also consists of bassist Hal Cragin and drummer Steve Calhoon), vastly improves upon their 1996 debut Unsupervised. The numerous guest musicians cohere much better here than on that album, and the results are just as consistent as -- if not more so than -- anything Flansburgh has done with TMBG. (It also feels less like his "solo noodlings," and a lot more like a full-band effort.)
The songs are generally less smart-alecky and more musically ambitious than his usual TMBG work. He happily indulges in his funk/dance/R&B influences, which he doesn't really get to do with fellow 'Giant John Linnell (except on occasional tracks like 1992's "The Guitar" and 1996's "S-E-X-X-Y," as well as "Clap Your Hands" and "John Lee Supertaster" from 2002's NO!). The upbeat funk number "Creepy," based on a couple of true stories (one of which happened to Flans), kicks off the disc with the ear-grabbing opening line, "Town drunk's angry daughter and all her hospital friends are coming downstate to meet us." "It's Fun to Steal" is a wonderful slice of New Orleans soul; despite the amoral title, which actually refers to the stealing and breaking of hearts, it's a moralistic song in which Flansburgh subtly condemns a cheating "ladies' man" ("It's fun to steal, it's fun to fool around, but only once will I warn you this way ... you'll find out there's a price to be paid"). "Mr. Hughes Says" is a funky, upbeat love song/list song inspired by Langston Hughes' poem "Motto" ("Live and learn ... dig and be dug in return"). "Imaginary Friends" is a slow-funk jam about the comfort found in isolation. "I Just Found Out What Everybody Knows," a synth-heavy slow-funk jam sung by Flansy in a deep, ominous rumble, is an unusual break-up song with neat, short-story-like details ("When she tore me in half, my neighbors would smile / 'Cause that's all the fun they'd had in a while"). The disco track "Extra Krispy," with Sister Puff (aka Robin "Goldie" Goldwasser, whom Flansburgh married in 1996) on lead vocals, is a kooky valentine to New York City; and though she's no Donna Summer, she does a fine job. Like her husband, Robin has a sweet voice that makes up for in sheer versatility what it lacks in distinctiveness and power. The hilarious "Dashiki Lover," another disco number and combination love/list song, features both Flansy and Goldie on vocals; evoking the days of Andy Warhol's Factory, it name-drops everyone from Peter Fonda and Dennis Hopper to "Rosemary's baby" and "my first-grade teacher." "Taste the Bass," written by Cragin, is a nice Quiet-Storm R&B instrumental. (The tuneless and plain-silly "Dedicated" hits the only bum note.)
Of course, the band delves into other styles besides funk, disco, and soul. "Backstabbing Liar," based on a composite of true stories, is a frothy punk-pop number that would have done the Clash and the Ramones proud. "Poison Flowers," about a mad bomber looking for a mate ("Who's going to build my death ray?"), is a New Wave-y track that sonically recalls David Bowie's classic "Heroes." The country-rock rave-up "Hillbilly Drummer Girl," written by Scott McCaughey of the Young Fresh Fellows and the Minus 5, deals with the fun and the tedium of life on the road. "Pretty Fly," an a-capella cover of a creepy folk ballad from the 1955 film Night Of The Hunter, features only Goldwasser's layered vocals; okay, so she's no Joan Baez, but she's not bad, either. "Night Security," a lovely pop ballad which Flansburgh wrote (drawing on his early experience as a parking-lot attendant) but doesn't appear on, is made even classier by guest Barry Carl's resonant bass vocal.
Flansburgh not only reveals himself to be a talented multi-instrumentalist here (in addition to guitar, he also plays piano, organ, synthesizers, mellotron, drum samples, and "programming"): He and his band and the various guest performers tackle this material with so much skill, enthusiasm, and affection, that the results sound truly fresh rather than dated or musty; and at its best, It's Fun To Steal recalls the boldly eclectic pop of the Talking Heads and Blondie. Cheers, Flansy.
Classic Flansy
(2 of 2 Found this Helpful)
May 31, 2002
Anyone who has listened to They Might Be Giants knows John Flansburgh's slightly eccentric and always fun musical style. This album is full of that same spirit. It's not an instant classic but rather an album that will get stuck in your head and that will pop into your stereo everyonce in a while when you come across it in your collection.
A major disappointment
(2 of 11 Found this Helpful)
May 5, 2002
It becomes quite obvious from this recording who is the creative genius of TMBG. It's John Linnell, full stop. This, on the other hand, is an awful-sounding bunch of demos, badly produced, with horridly superficial lyrics and featuring lots of disheartening funk bass onanism. I find it hard to believe a member of TMBG actually did this. Go get Linnell's wonderful (and intelligent!) State Songs instead of this uncommitted rubbish.
