Cool Stuff To Own
 Our Picks  Baby  Books  Cameras  Computers  DVD  Electronics  Music  Software  Tools  Toys  Video  Video Games  More 
 Kitchen  Outdoor  Apparel  Office Products  Gourmet Food  Health & Personal Care  Jewelry  Beauty  Sporting Goods 
New!  Release Dates   Collectibles   How To Guides 

Search



Browse
 
<< Previous

Return to Main Site
Select a Shop

E-mail This Page

Music > Styles > Hard Rock & Metal > Thrash & Speed Metal

Garage, Inc.


See larger picture

List Price: $24.98
Our Price: $18.49
You Save: $6.49 (26%)

Eligible for FREE Super Saver Shipping
on orders over $25. See details


Click here for more information
Used and new starting at $7.75

Exclusive Satisfaction Rating: 80% Based on 641 reviews.

Availability: Usually ships in 24 hours

Search eBay for this item.

Release Date: November 24, 1998
Artist: Metallica
Package Dimensions (in inches): 0.54 x 5.55 x 4.97
Package Weight: 0.18 pounds

Other Details

Binding: Audio CD
EAN: 0075596229920
Format: Explicit Lyrics
Label: Elektra / Wea
Manufacturer: Elektra / Wea
MPN: 62299
Number Of Discs: 2
Publisher: Elektra / Wea
Studio: Elektra / Wea
UPC: 075596229920


Editorial/Description:

Album Description: Limited Edition Japanese double disc pressing of this 1999 album by the Heavy Metal giants comes housed in a sturdy miniature LP sleeve. Mercury. 2006

Amazon.com: This double-disc, all-covers release could come to represent a vital turning point for Metallica. While disc 2 is a straightforward collection of every cover the group have recorded in its 16-year history, disc 1 comprises 11 new selections drawn from the oeuvres of such exciting and diverse artists as U.K. punks Discharge and nefarious Australian Nick Cave. The heavier songs, such as the Mercyful Fate medley, Black Sabbath's "Sabbra Cadabra," and the Misfits' "Die Die My Darling," prove that nobody delivers a crunching riff better than these metal veterans. But it is vocalist-guitarist James Hetfields's confident approach toward the likes of Cave's "Loverman" and Bob Seger's "Turn the Page" that delivers the most electricity; here his raw, heartfelt vocals are largely untouched. Given that the recharged group spent only three weeks in the studio recording these tracks, it appears that these guys have remembered the value of studio spontaneity over laborious pontificating. Hopefully, that mindset will resurface in future projects. --Steffan Chirazi


Tracks:

Disc: 1
1. Free Speech For The Dumb - (originally recorded by Discharge)
2. It's Electric - (originally recorded by Diamond Head)
3. Sabbra Cadabra - (originally recorded by Black Sabbath)
4. Turn The Page - (originally recorded by Bob Seger)
5. Die Die My Darling - (originally recorded by the Misfits)
6. Loverman - (originally recorded by Nick Cave & The Bad Seeds)
7. Mercyful Fate - featuring Evil, Curse of the Pharaohs, Satan's
8. Astronomy - (originally recorded by Blue Oyster Cult)
9. Whiskey In The Jar - (originally recorded by Thin Lizzy)
10. Tuesday's Gone - (originally recorded by Lynyrd Skynyrd)
11. The More I See - (originally recorded by Discharge)

Disc: 2
1. Helpless - (originally recorded by Diamond Head
2. The Small Hours - (originally recorded by Holocaust)
3. The Wait - (originally recorded by Killing Joke)
4. Last Caress/Green Helll - (originally recorded by The Misfits)
5. Am I Evil? - (originally recorded by Diamond Head)
6. Blitzkrieg - (originally recorded by Blitzkrieg)
7. Breadfan - (originally recorded by Budgie)
8. The Prince - (originally recorded by Diamond Head)
9. Stone Cold Crazy - (originally recorded by Queen)
10. So What - (originally recorded by the Anti-Nowhere League)
11. Killing Time - (originally recorded by Sweet Savage)
12. Overkill - (originally recorded by Motorhead)
13. Damage Case - (originally recorded by Motorhead)
14. Stone Dead Forever - (originally recorded by Motorhead)
15. Too Late Too Late - (originally recorded by Motorhead)
16. Crash Course in Brain Surgery (originally recorded by Budgie)


Customer Reviews:

a 2 is better than a 1   November 24, 2008
When I found out Metallica was doing an album of cover songs years ago, I was skeptical right away. How can a thrash metal/speed metal band make it believable and create versions that surpass the originals? Well, they couldn't. This is just really really bad. The entire collection.

Two hours of cover songs, and every single one of them inferior to the original versions. The worst part is how many people went into this album probably not even aware of the original versions anyway, and just assumed "Well, it rocks, so Metallica's back!!" while completely ignoring how tasteless this collection of cover songs really is.

Maybe it's the vocals that ruin the entire thing? Yeah, that's probably it. Or maybe Metallica just wanted to abuse their thrash metal style by covering songs that do NOT -in ANY way- belong as part of a collection of thrash metal songs, such as the Blue Oyster Cult, Bob Seger, and Budgie tracks?

I think the Bob Seger song is the most offensive one to me personally, since people actually think it's superior to the Seger version. It's actually far worse because Seger's version had a very good "late night smokey bar" atmosphere that THIS version lacks entirely, in addition to Seger's incredible voice on that track.

The lead singer from Metallica doesn't have a voice like that. He's designed to be a heavy metal singer, not ANYWHERE close to Bob Seger's style.

I can go on and on about how these songs are inferior to their original versions, but I'll stop there. Oh ok, one more- Blue Oyster Cult's "Astronomy" stinks here because it doesn't have any of the moody piano parts that the original version had. Another inferior version.

Wanna know why "Sabbra Cadabra" morphs into "A National Acrobat" halfway through the song? Because the lead singer is incapable of singing the jam that finishes off "Sabbra Cadabra", and in fact, he doesn't even sing the middle section of the song either (you know, the "lovely lady" part that Ozzy Osbourne mastered). Or maybe Metallica just didn't want to actually attempt the fantastic piano jam at the end. Who knows.

Two hours of one inferior version after another is a bit much for me, however, just the fact they attempted such a daring thing is pretty historic for a band with their kind of reputation as influential metal Gods, so the album can't possibly receive a 1 star rating.

But, come to think of it, maybe Metallica was going through a dry spell coming up with new material and didn't know what to do? Well, turning original songs into junk wasn't exactly a great idea. You can't even tell most of these songs apart. Maybe a band with more diversity would have been better for a cover song collection.

People need to be aware of the original versions before commenting on this album. That way they'll see how inferior these cover songs are. I bet if everyone was familiar with the original versions before writing a review for Garage Inc, the overall rating for the album would be down significantly


diamond in the rough   October 13, 2008
To put it simply, I love this album. If you like Metallica at all, there's probably something here for you. Granted, there's less of the progressive stuff a la Load and Reload, but I was never a big fan of that anyway. (Although Turn the Page and Loverman are awesome.)

Looking at my jewel case now, Bob Rock's name isn't on the back. On the discs it says "Somewhat produced by Bob Rock with Hetfield and Ulrich." I've been trying to figure out why Metallica went from metal gods to media darlings, and as near as I can tell it's because Bob Rock sucked. "Somewhat produced," with its suggestion of lacking quality may have been the best thing that happened to this album. The quality is inconsistent, Hetfield lets out a giggle when someone jumps the gun on a note in Loverman, there's a...Bob Seger cover (cooler than it sounds), and that's just disc 1. Disc 2 is a big collection of covers (16 songs!), and one of the few CDs in my collection I can honestly say I like start to finish.

People who aren't really into the Load/Reload era will find a lot to love, people who are perhaps need not apply.


Good but disjointed   October 2, 2008
I really, really wanted to give this a positive review, but I can't. Individually, the songs on here are fantastic, especially the cover of Bob Seger's "Turn the Page" and "Whiskey in the Jar." As an album though, the band shifts styles dramatically from track to track, making it extremely difficult to listen to straight through. It sounds like I played it on random.

Don't get me wrong, it's still a decent album. I would have just liked to see it flow a little more smoothly.


Hard and fast and aggressive covers   September 18, 2008

I like this album better than their early thrash albums like "Kill 'em all" and "Ride the lightning". "Garage Inc." is itself a thrashy type album, but I just found the music more engaging than on those other albums. It doesn't have any great songs, like "Fade to black"-an all time classic song from "Ride the lightning"-but the songs are what I would call "listenable". Of their early albums, I think that "Master of puppets" is their best. The good songs on "Garage Inc." aren't of that quality either, but hey, if you like heavy metal, "Garage Inc." will please. There are lots of heavy metal type sound modules in it-that is, certain lead guitar type sounds, rhythm guitar sounds etc, which are classic 'heavy metal'.

From the first cd-which includes covers of songs by Black Sabbath and Nick Cave-my favourite songs are:

Whiskey in the jar-it's this song which got me interested in buying this compilation. There was an Australian radio station which had a listener poll of the top 2000 odd songs of all time, and this song made the cut. It's a cover of Thin Lizzy's version, from what I've heard. Not a big Thin Lizzy fan, so hats off to Metallica to doing something I can appreciate with this song.

Tuesday's gone-a respectful, bluesy, country ballad, for the most part. Has accoustic guitar, steel string accoustic guitar and it also features a harmonica. So, this album is not just purely aggro thrash metal...there's some stylistic variety to it.

The second cd is superior to the first, I think. My favourite songs from that are:

Am I evil-has occultish lyrics (I don't tend to associate Metallica with BS lyrics, but this compilation has the kind of lyrics which you associate with the dark side of metal...but not really to an extreme extent). The song has some baroque and intricate fast lead guitar work. The intro also has a Black Sabbath vibe to it, despite being a Diamond Head song originally.

Breadfan-the riff is similar to the one in that great Red Hot Chilli Peppers' song "Around the world". The Peppers song is newer though, I think, so maybe they've heard something like this song previously. There is a change of pace in this song which reminds me of Metallica's original instrumental "Orion".

So What?-this song is really in your face and a lot of fun. By a punk band I've never heard of before: "Anti-Nowhere League". The lyrics are relatively shocking, even now, so I suppose it would take courage for Metallica to sing this song nowadays! It has real punk rock attitude and the language to go with that. If you're a teenager, this is the song to either make sure your parents never hear you playing, or to play this song just to spite them.

Overall, the sound quality on this cd is excellent (in stark contrast to the sound quality on my favourite Metallica album, "Reload"). Occasionally a couple of songs don't sound very hi-fi, but it's not as bad as, say, The Moldy Peaches debut cd, which takes that lo-fi sound to a whole different level.

The booklet which comes with this cd has very lengthy notes on the compilation, and the picture of the band in cover band mode is good for a laugh too.

If you like thrash metal, punk rock, and the bass guitar, I think you will like this album.

Just a couple of notes I made on some songs from this album:

Last caress/Green Hell-a nihilistic punk song veering into a frantic thrash song. Has an out of whack version of Iron Maiden's intro to their all time classic song "Run to the hills" for the outro.

Damage case-the intro reminded me of Wolfmother's riff for "Woman". Wolfmother won a Grammy for heavy metal or something a couple of years ago, I think.

Too late, too late-reminded me a bit of AC/DC, guitar sound wise.

Anyway, here are some heavy metal albums I highly recommend and have reviewed here (most of them):

Metallica: Reload/Master of puppets/Self-titled

Coldseed: Completion makes the tragedy


Metallica's Idol (1 of 1 Found this Helpful)   July 21, 2008
I thought that this was a great buy especially considering it gave me a better idea of where one of the greatest bands drew its inspiration. Everything from folk style songs (e.g. Whiskey in a Jar, Turn the Page, and Tuesday's Gone) to wupass heavy songs (e.g. So What, Am I Evil, Blitzkrieg) to the excellent cover of Queen's "Stone Cold Crazy" are all some of the great variety you can see here. Many complain that Metallica became sellouts for ditching their traditional thrash, but I think this goes to show that they wanted to become more accessible by crunching human stories into some of their later work instead of singing constantly about revenge, death, and chaos like countless other metal acts.

Though the first disk has the more recent songs that vear into the style of "Load" and "Reload," the second disk contains all the B-sides and covers from their earlier career as is noticeable by James' higher vocal range. I think there is a little bit of everything to get a taste of from this set for anyone with an open mind.


Related Products
Ride the Lightning
Master of Puppets
Kill 'Em All
Reload
Metallica


Questions? Please contact the us.
The Psychic Fishbowl is still here.
Visit other sites at: Best Deals and Discounts Cool Stuff To Own or our old site Quick Shopping